Let’s See 20 Seasteads in Movies and on TV

My book, The Seastead Chronicles, features seasteads—habitats located at sea. TV shows and movies have included seasteads as well. Let’s review them.

On the Surface

People find it easier to build, and travel to, seasteads on the ocean’s surface—whether free-floating, anchored, or mounted on pilings—than the underwater kind. Movies and TV shows depict surface seasteads in a variety of ways.

F.P.1 (1932) This German film involves a floating airport to refuel aircraft in the Atlantic Ocean. 

Waterworld (1995) This movie—likely the most famous seastead movie— takes place in a future flooded Earth. People live in floating scrap metal towns or on old supertankers.

Star Wars: Episode II – Attack of the Clones (2002) In this film, we see Tipocu City on stilts above the oceans of the planet Kamino.

Star Wars: Clone Wars (2003) An animated TV series, it depicts a water world with cities supporting two species—the air-breathing Mon Calamari and the water-breathing Quaren.

The Book of Life (2014) In this animated children’s movie, the guitar-shaped city of San Angel rests on a lake.

Psycho-Pass: The Movie (2015) The film depicts a floating city in the Pacific called Shambala Float.  

Mortal Engines (2018) Most cities in this film rove on land using tank treads, but some raft-cities float.

Last Sentinel (2023) The setting for this movie is a small sea-based fort on a flooded future Earth.

Acid City (2026) This dystopian film depicts a city floating in toxic water.

Underwater

Cities on the seabed provide imaginative and exotic settings for many TV shows and movies.

The Underwater City (1962) The film shows characters establishing a sea-bottom city as a bomb shelter.

City Under the Sea (1965) Based loosely on a poem by Edgar Allan Poe, and also known as War-Gods of the Deep, this movie depicts the discovery of a lost city on the seabed. People have been living there for more than a century.

Captain Nemo and the Underwater City (1969) The captain rules his own domed, lit-up city, called Templemer, in this film.

Latitude Zero (1969) This movie introduces a utopian seabed city where citizens don’t age or die.

City Beneath the Sea (1971) This Irwin Allen film includes an underwater city called Pacifica in the year 2053. They face danger from an Earth-bound planetoid.

Warlords of Atlantis (1978) Also known as Warlords of the Deep, this movie features telepathic Martians living in Atlantis. Thanks to Plato, Atlantis became a magic place name for many TV shows and movies.

The Abyss (1989) This James Cameron film includes a seastead less like a city than a seafloor oil drilling platform. I still include it on this list since people would live as well as work there.

Atlantis: The Lost Empire (2001) In this Disney picture, Atlanteans have lived in their sunken city for thousands of years.

Aquaman (2018) – This movie also features water-breathing Atlanteans living in their underwater city.

Godzilla: King of the Monsters (2019) The underwater city in this film is home to humans who worship Godzilla.

The Little Mermaid (2023) In this movie, the mer-people live in Atlantica.

Conclusion

Creators of TV shows and movies have given us a variety of seasteads, but we need more. That’s the opinion of the author of The Seastead Chronicles—

Poseidon’s Scribe

Will Jules Verne Remain Popular in 2176?

By 1876, Jules Verne had written the books he’d be best known for. 150 years later, in 2026, he’s still widely translated and read. Can we predict his popularity after another 150 years, in the year 2176?

This blogpost summarizes a talk I gave at a meeting of the North American Jules Verne Society on June 4, 2026. You may watch the entire talk on YouTube.

Image created using Perchance.org (AI)

Lindy Effect

According to the Lindy Effect, the remaining longevity of a given performer’s (or author’s) success depended on how long that performer had already been popular. The effect got its name for a New York City delicatessen where comedians would gather to talk about how well their shows were doing.

Antifragility

Building on the Lindy Effect, Nassim Nicholas Taleb wrote a book titled Antifragile: Things That Gain from Disorder. He invented the term antifragile to describe things that gain strength from stress. No physical material is antifragile, but concepts, books, and other creative products can be.

If a book receives bad reviews or gets satirized, banned, or burned, that negative feedback can increase its popularity. Taleb stated that a reasonable estimate for the lifespan of an antifragile entity is double its current age. Therefore, since Jules Verne is popular after 150 years, he should still remain popular in another 150 years.

What is a Classic?

Wikipedia’s definition of a classic includes the characteristics: “ability to be reinterpreted, re-translated, abridged and parodied, to seemingly be renewed for later generations.” Clifton Fadiman said, “If you wish to live long in the memory of men, you should not write for them at all. You should write what their children will enjoy.”

The Reader of 2176

All we can say with certainty about 2176 is that it will differ from 2026. If current trends in attention span continue, readers in an information-flooded 2176 may limit themselves to brief snippets like today’s phone texts or AI summaries of longer works. Perhaps the content of books will get transferred by pill, drink, injection, or direct mind-link.

Why Read Verne in 2176?

First, readers of that future year might find Verne’s book titles irresistible. The cadence and imagery of Journey to the Center of the Earth, From the Earth to the Moon, Twenty Thousand Leagues Under the Seas, and Around the World in Eighty Days may well carry the same linguistic magic for our future descendants as they do for us.

Though the exploits of Verne’s characters may seem quant and obsolete to them, future readers might retain a nostalgic interest in a time when sectors of the Earth remained unexplored and mysterious. They may enjoy adventures set in a period when submarines, aircraft, and spacecraft were new and untested technologies. Readers may yearn to escape to a time when science brimmed with optimism and lacked a downside.

Recall Fadiman’s advice to write what children will enjoy? Verne’s easy-to-understand plots, sense of optimism, and moments of humor should delight future youngsters as much as those of today.

Prediction

Perhaps my own wishful thinking clouds rational thought, but I believe people will still enjoy Jules Verne’s works in 2176. The Lindy Effect suggests they’ll remain antifragile. By many definitions of “literary classic,” some of Verne’s novels qualify and that implies continued longevity.

Perhaps someone in 2176 will dig up this blogpost and be able to confirm or deny the predictions of—

Poseidon’s Scribe

What an ICONic Saturday!

Last Saturday, I attended ICON, a scifi conference in Coralville, Iowa. I met a lot of other authors, spoke on several panels, and sold books to interested readers.

Idea Development

The day started with a panel discussing how great ideas go wrong, or right. What happens on the road from concept to first draft, and when should a writer abandon a story that’s not working? Joining me were author (and convention organizer) Athena Foster and author Shannon Ryan.

Athena Foster, me, and Shannon Ryan

Flight of Fancy or Found in the Future – Vehicle Edition

In the next panel, aircraft engineer Tim Smyth and author Ransom Noble and I discussed why some fictional vehicles are so real you dream about riding them. We listed our favorites and gave advice on how to create vehicles readers will love.

Ransom Noble, me, and Tim Smyth

Book Signing

I sold and signed books for about an hour. This con marked the launch of my new book, 48-State Odyssey.

Reading 101

This panel attempted to create a reading list for a Science Fiction and Fantasy 101 college course. What books would be required, and how do they represent the genre? Authors Ivy Ru, Susan Leabhart, and I came up with a fine list.

Ivy Ru, me, and Susan Leabhart

Friends Without Benefits

This fascinating panel topic found poet Jules Mohr, author Alanna Steininger, and I discussing character relationships in SF/F. Why so much romance, and so little friend relationships, or family relationships? We concluded that there’s room for more stories along those lines.

Jules Mohr, me, and Alanna Steininger

Creative Persistence

Fitting for the last panel of the con, beginning at 10:00pm, we pondered how writers keep creating when the rest of life crowds out the time. We listed barriers to creativity and how to overcome them. Exhibiting our own persistence, the audience and the panelists—Tricia Andersen, Athena Foster, Allana Steininger, and I managed to stay awake.

Athena Foster, Tricia Andersen, me, and Allana Steininger

In summary, a great (and long) day for—

Poseidon’s Scribe

Hitting the Highways on a 48-State Odyssey

Announcing my latest book—48-State Odyssey!

What it’s About

My wife and I made a road trip touching the forty-eight contiguous states, and you can read the true story of that journey.

Well, most of it’s true. A good deal of it. Some of it.

I’m a fiction writer, so you’ve got to expect some exaggeration. Did we really encounter Bigfoot, Paul Bunyan, aliens, and various monsters and cryptids? Did we really receive a magical pet rattlesnake from Pecos Bill? Read the book and make your own judgment.

You’ll find it packed with fun illustrations. It also includes facts about each state that you got along fine without knowing. Written in a whimsical style, the book should suit readers of all ages.

If you’ve ever dreamed of driving through the country and touching forty-eight of the fifty states, I can recommend a good road atlas. If you’d rather just read about someone else’s adventure without driving anywhere, 48-State Odyssey might appeal to you. Or you could inflict it on someone else as a gift.

Where to Get it

For the time being, you can purchase 48-State Odyssey in ebook and paperback formats, but only at Lulu.com. I expect it to become available at other book distributors by mid-December. I’ll announce those availabilities here on this website.

Swerving Outside the Lane

Reading this, you’re thinking, “Hey, Poseidon’s Scribe, you couldn’t have written this book. You write science fiction, and some horror, much of it with a maritime setting. Who really wrote 48-State Odyssey?”

I did. I really did. True, it’s not in my usual genres. Sometimes a writer has to try something different. I’ll get back to my Seastead Chronicles series, I promise.

While you’re waiting for that, read 48-State Odyssey, a crazy, humorous travel book really written by—

Poseidon’s Scribe

Oops! Did I Accidentally Predict the Underwater Tank?

A recent article in the South China Morning Post reported that Chinese researchers are working on a military tank that could submerge for up to two hours.

They might have gotten that idea from me.

The Sea-Wagon of Yantai

Decades ago, when I first started writing fiction, I wrote some secret history stories involving the development of submarines. During my research, I came across an obscure and incomplete reference to someone in China inventing a working submarine around 200 BC.

The Sea-Wagon of Yantai cover image

The reference lacked specifics, leaving me free to make up my own details. Since inventors tend to adapt what’s been done before, I thought a Chinese mechanic of that time might take a common horse-drawn wagon, enclose it and waterproof it. Then he’d eliminate the need for a horse by means of gears and shafts so he could propel it himself from inside.

I hoped to do for submarines what Ray Bradbury did for aerial vehicles in his story “The Flying Machine.” In Bradbury’s story, a Chinese tinkerer invents a kite-like flying machine, but his emperor fears dire consequences of this development.

Here’s the description of my story: In 206 B.C., warring dynasties clash within China. A young warrior, Lau, receives orders to verify the legend of a magical wagon that can cross rivers unseen. He encounters Ning, the wagon-maker in the seaside village of Yantai. Ning has constructed a wagon that can submerge, travel along the bottom of the Bay of Bohai, and surface in safety—the world’s first practical submarine. Ning enjoys the peace and beauty of his undersea excursions and will not allow the military to seize his wagon or learn its secrets. Lau must bring the valuable weapon back to his superior. In the hands of these two men rests the future of the submarine, as an instrument of war or exploration.

Eternal Press published “The Sea-Wagon of Yantai,” but the book has since gone out of print.

A Connection?

Did someone read my story and ponder about the military potential of a wheeled vehicle traveling on the bottom of a deep lake or river? I hope not.

The article gave the impression that the Chinese underwater tank was in the concept stage and that a working prototype might be years away. Plenty of time for competitor nations to develop their own version.

Sheesh. I hope the entire future of armored vehicles hasn’t been set on a new course by lil ol’—

Poseidon’s Scribe

Are You a Victim of a Parasite Author?

One day, your most loyal fan-reader contacts you. “Your latest book, The Great American Novel,” she says, “isn’t up to your standards. Frankly, it’s terrible. You really let me down this time.”

You’re puzzled. You didn’t write The Great American Novel. But, checking your Amazon author page, you discover it there, with your name on it. What the heck?

Author shocked at discovering she's a victim of a parasite author.
Image created using ChatGPT

Perhaps you’ve traveled to an alternate universe—one where the alternate you is more prolific, but less talented.

More likely, you’re the victim of a Parasite Author.

The Parasite Problem

Using Artificial Intelligence (AI), an unscrupulous person can generate a novel manuscript, written in your style, in minutes. An AI image generator will provide him a book cover similar to your other novels. He can publish this book on Amazon, with your name as the author, and even get it posted on your Amazon author page. Any earnings from that book go, of course, to him, not to you.

Like a parasite in nature, he attaches to a host for his own benefit.

Examples

According to this article in The Atlantic by Alexandra Tremayne-Pengelly, and this article in DNYUZ, several writers have experienced this, including authors Anna Blakely and Ben H. Winters.

Recently, author Noelle W. Ihli discovered another version of her novel, The Last to Drown, listed on her Amazon author page. It featured a similar cover and a price $5,00 more than her own novel.

Author Vanessa O’Loughlin writes crime stories under the pen name Sam Blake. So does one of those parasite authors.

The example I used to begin this blogpost may have sounded hypothetical, but it happened to author Tamra Westberry. A reader contacted her, disappointed by her novel, Project Erebus. Tamra hadn’t written Project Erebus, but saw it listed, under her name, on her Amazon author page.

My Proposed Partial Fix

Knowing top executives at Amazon read my blogposts, I offer them a simple—though partial—solution. Amazon already knows how to pay authors the revenue for their books. Consider implementing this policy change—revenue from all books listed on an Amazon author page go to the author listed on that page. That removes the financial incentives for parasites to attach to those pages.

It wouldn’t stop parasites from offering copycat books on Amazon—a search for an author’s name would still display the parasitic books as well. But the Amazon author page would provide readers with accurate information.

Amazon could suggest potential book buyers check the author page first, before purchasing, to know for sure.

How about it? Would that work? I’d love for Amazon executives or others with knowledge of the industry, to contact—

Poseidon’s Scribe

The Life Aquatic or the Life Astronautic?

Most of us can’t relate to the question in this post’s title. We don’t have to choose either one. We live on land, on Earth.

Still, someday, people may live for long periods—their whole lives—either underwater or in space. Which would you choose?

Underwater History—1960s

The chronology of underwater habitat history began, and blossomed, in the 1960s. Some of the more notable habitats of that era include Man-in-the-Sea I and II, Conshelf I, II, and III, SEALAB I and II, Glaucus, Hydrolab, BAH I, Tektite I, Helgoland, and Chernomor. These housed between 1 and 10 occupants for missions ranging from hours to a few weeks. Professional divers manned the early ones, but starting with Tektite, scientists participated.

SEALAB I

Underwater History—1970s

Some of the 1960s projects continued into the next decade, including Hydrolab, Helgoland, and Chernomor. Few new habitats began in the 1970s, and these included Seatopia, Tektite II, and La Chalupa. These furthered the concept of undersea living to some degree. Tektite II hosted the first all-female mission. La Chalupa could accommodate 50 aquanauts at a time.

La Chalupa

Underwater History—1980s

Three more habitats began operating in the late 1980s, namely Aquarius, MarineLab Undersea Classroom, and Jules’ Undersea Lodge. That latter one had been converted from the La Chalupa habitat and can be booked for brief stays like a hotel. All three of these remain operational today.

MarineLab Undersea Classroom

Underwater History—1990s

To my knowledge, only one habitat started in this decade, the Scott Carpenter Space Analog Station.

Scott Carpenter Space Analog Station

Underwater History—2000s

The company DEEP started the habitat Vanguard this year. This CNN story about it inspired my blogpost.

DEEP Vanguard

Comparison to Space Habitats

With all these undersea habitats over all those decades, with most located a few miles from shore, with resupply and rescue so much easier, you’d think we’d have many more man-hours of experience living underwater compared to space. Right?

Not even close.

International Space Station

Space habitats started later, in the 1970s. Since Salyut-1 in 1971, there have been only 8, with 2 still operational. But in man-hours of operation, space habitats far exceed their underwater counterparts. At most, aquanauts stay for days or weeks. Astronauts remain for months, and one stayed over a year.

Why Water Homes Fell Behind

Was the pressure of competition too much for the underwater habitats? No, but pressure played a part. Engineers designed almost all such habitats for “saturation diving” or “ambient pressure operation.” That means the air pressure inside the habitat matched that of the ocean outside. This allowed aquanauts to don scuba gear, exit the moon pool, and work outside for hours each day.

Though saturation diving eases outside work, it limits the occupants’ time in the habitat. After four weeks, the aquanaut must decompress back to atmospheric pressure to avoid adverse physiological and psychological effects. Further research into chemical supplements might result in extensions to that 28-day limit.

One-Atmosphere Alternatives

You’re wondering if engineers could design underwater habitats with normal surface air pressure inside, so people could live there longer, not limited by the saturation diving limit. Sure. Designers would have to make the hull thicker, but it would resemble, in concept, a submarine resting on the bottom.

Two existing habitats—the Jules’ Undersea Lodge and Aquarius, and the upcoming DEEP Sentinel offer part-ambient and part 1-atmosphere options.

Imagine

Both oceans and outer space represent hostile environments, unsuited to long-term human living. But people have made fledgling attempts in both areas. One day, some will choose to live underwater, and others will opt to live in space. To read a fictional take on living at sea, with some cities underwater, read The Seastead Chronicles by—

Poseidon’s Scribe

A Cracking Good Time at P-Con

What a weekend! I enjoy attending science fiction conventions, and love it when I’m invited to speak. During the past few days I went to P-Con, both a pun on the word pecan and a scifi/fantasy convention in Dallas.

Future of Tech

On Friday, almost a dozen people attended one of the first panels: “Future of Tech—Sci-Fi Becomes Fact.” Author Stephen Patrick moderated the panel, where Guest of Honor Les Johnson, author Brian Thompson, and Guest of Honor Ken Ruffin joined me. We explored the relationships between science fictional technology and real-world technology.

Stephen Patrick, me, Les Johnson, Brian C. Thompson, and Ken Ruffin

Author Alley

Con organizers allotted me two hours for a book signing. They call it “author alley” since they banished us to an alley behind the building. Not really. We occupied a row of tables. I got a spot between Stephen Patrick and RJ Hanson.

Author Reading

On Saturday, author Jim Curtis and I read to a small group of attentive fans. Jim read from a story he’s having published soon, and I read my story “A Green Isle in the Sea” from The Seastead Chronicles.

After the Quest

Author Dara Kountz moderated a panel called “After the Quest: What Happens When the Adventuring is Over.” Author Becky Jones, author Rob Howell, and I rounded out the panel. We discussed the phenomenon of heroes settling down after their adventures, sometimes to be called to another battle, sometimes to mentor a younger hero, and sometimes to grapple with the adventure of post-traumatic stress disorder.

Becky Jones, Rob Howell, me, and Dara Kountz

Hard Science

On Sunday, historian Matthew Bowman moderated a panel called “Hard Science without a Science Degree.” William Leaf, author Stephen Rolston, and I filled out the panel. We discussed the dilemma faced by someone yearning to write “hard” science fiction, but who lacks a science or engineering degree and fears getting the facts or terminology wrong.

Stephen Rolston, me, William Leaf, and Matthew Bowman

History

The last panel of the con explored “How History Informs Science Fiction and Fantasy.” We weren’t sure who was supposed to moderate, but author Rick Cutler stepped up to do it, and a panel consisting of historian and author Matthew Bowman, author Brian Thompson, author David Rike, and me. The discussion ranged over immense stretches of history, geography, technology, and scifi/fantasy literature.

Rick Cutler, Brian C. Thompson, David Rike, me, and Matthew Bowman

P-Con-clusion

Though I’d never attended a P-Con before, I think I came out of my shell and didn’t come across as too nutty. In a nutshell, I had a cracking good time. That’s probably more than enough puns for—

Poseidon’s Scribe

Do You Have to Be Nutty to Go to P-Con?

P-Con is a science fiction and fantasy convention in Dallas, Texas. Don’t confuse the name with the nuts known as pecans. I believe this convention involves a different type of nut.

It takes place next weekend, September 25-27 at the Crowne Plaza Dallas Market Center-Love Field by IHG. The address is 7050 N. Stemmons Freeway Dallas, Texas 75247.

I’ll be there. It’ll mark my first time at this con.

Schedule

Not only will I attend, I’ll do some talking. Here’s my schedule:

Panel/Event Date/Time
Future of Tech – Sci-Fi becomes factFriday 1 pm
Author ReadingSaturday 4 pm
After the Quest: What Happens When the Adventuring is Over?Saturday 5 pm
Hard Science without a Science DegreeSunday 12 pm
How History Informs Science Fiction and FantasySunday 3 pm

Order vs. Chaos

Most scifi cons strive for a modicum of organization. P-Con, by contrast, seems to thrive on chaos. They embrace it.

I’ll see how it goes. If you attend, we can both find out together. It promises to be a fun event, despite the presence of—

Poseidon’s Scribe

Master Writing by Ear—A Practical Guide

Do certain sounds help you write better? Are you more creative when listening to music, nature sounds, background talking, or silence?

Image created using Perchance.org

Science

A Substack article by author Ines Johnson sparked the idea for this blogpost. In that article, she mentioned scientific studies of the subject, and summarized them like this:

  • If not too loud, ambient noise can help your creativity.
  • To help you focus, choose instrumental music, not lyrical (singing) music.
  • Couple your writing habit with a particular background sound.
  • Consider binaural beats and subliminal sound. Binaural refers to playing one tone in your right ear and a different one in your left.

Posts by Anthony D. Fredericks at Psychology Today, Brain Health University George at Reality Pathing, Nested Magazine, and Dr. Tchiki Davis point to similar conclusions.

One Writer’s Preference

Author Ines Johnson prefers to write to the sound of other people talking in hushed tones—murmuring. Back when she was a single mom, it comforted her to hear her kids playing in an agreeable manner. Silence meant trouble. These days, Ms. Johnson sometimes uses an app that simulates the low-volume babble of a coffee shop, and other times uses subliminal audio tracks.

My Preference

I’d prefer not to have a preference at all. I wish to write wherever I am, wherever I find time, no matter the background noise. This includes writing in a doctor’s or dentist’s office, riding as a passenger in a car, etc. Sometimes I write outside with the background sounds of nature. Other times, I write inside, in silence or with the faint sounds of a TV in another room.

Experimentation

Ms. Johnson advises writers to experiment to find the background sound most conducive to their creativity. I understand the value of that approach and agree it would help the majority of writers.

Further, I think writers may find one type of background noise works best for the frantic, free-flow of first drafts, while another type works for the detailed, precise concentration of the editing phase.

Non-Experimentation

However, I don’t think that’s for me. Suppose, after completing the experiment, I discovered, say, jazz music worked best. I won’t always be in a place where I can listen to jazz. In a sub-optimal noise environment, I’d be worried my writing would suffer, that it would turn out worse than it could be.

After years of taking the noises life gives me, I think my brain prefers the chaos of variety, of random unpredictability.

Quiet noise, music, or silence—they’re all okay for—

Poseidon’s Scribe